I know that I’m cutting it a little fine (okay…very fine), but I didn’t want to let Easter go by without sharing a little sweet treat to mark the occasion! Luckily, this recipe is super quick and easy, so it makes for a great, last-minute bake.

Today’s recipe is a combination of two of my all-time favourite treats: Easter Nests & Mars Bar Rice Crispy Cakes. These are my… Mars Bar Rice Crispy Nests!

Imagine, if you will, a chocolate cereal nest, filled with Mini Eggs (as it should be), but, instead of straight chocolate, this mixture is made with caramel-y, nougat-y Mars Bars (and the nests are drizzled with extra melted chocolate, because it is Easter, after all). These Mars Bar Rice Crispy Nests are sweet and delicious: a super fun spin on an Easter classic.

Table of Contents

• Ingredients
• How to Make Mars Bar Rice Crispy Nests
• Tips & Tricks
• Recipe

Ingredients

To make these Mars Bar Rice Crispy Nests, you’ll need the following ingredients:

• Mars Bars

The star of the show! You’ll need 4 x 39.4g bars (which, handily enough, equates to 1 multipack of the bars).

• Butter

I use unsalted butter for this recipe.

• Golden syrup

Golden syrup is melted together with the Mars Bars and butter to make a deliciously sticky, caramel-y mixture that holds the rice crispies together. I’ve given the amount in grams here, because wrangling golden syrup out of a measuring spoon is one of my biggest pet peeves: I won’t be inflicting that on you here— you can weigh the syrup right into the saucepan!

• Rice Crispies

These go by so many names: rice crispies, rice bubbles, rice pops… the list goes on! Basically, if you’ve got puffed rice cereal, you’re good to go. Theoretically, you should be able to make these nests with other types of cereal (shredded wheat and cornflakes are common alternatives for standard chocolate nests), but I’ve only ever tried this particular recipe with rice crispies.

• Mini Eggs

Mini Eggs are a vital part of any Easter Nest (apart from, you know, actual nests). I’ve used three eggs per nest here, but you can do as many or as few as you like.

• Milk chocolate

I like to drizzle the nests with a little chocolate because a) it’s Easter, b) it helps to secure the Mini Eggs in place and c) chocolate goes SO WELL with Mars Bar Rice Crispy Cakes! I’ve used milk chocolate, but feel free to use whatever chocolate you like: for an even sweeter treat, try white chocolate, or, for a slightly more grown-up snack, use dark chocolate.

How to Make Mars Bar Rice Crispy Nests

These nests are SO easy to make! You basically just melt the Mars Bars, butter and golden syrup together, stir through the rice crispies, divide them between some fairy cake cases, add some Mini Eggs and drizzle the whole lot with chocolate. That’s it! They’re perfect for making with kids, because they don’t require any actual baking— just be careful with the warm Mars Bar mixture.

Start by lining a 12-cup fairy cake tin with paper liners and set it aside, ready for later.

Chop the Mars Bars into chunks, then dice the butter.

Put the Mars Bar chunks, diced butter and golden syrup into a medium saucepan and place over low heat.

Stir frequently while everything melts together. Eventually, you’ll end up with a smooth, thick and shiny mixture, like this.

Take the pan off the heat and immediately stir through the rice crispies.

The mixture will be quite stiff, so you’ll need to use a little bit of elbow grease for this! Work quickly, because the mixture will stiffen up even more as it starts to cool.

Still working quickly, use two dessertspoons to divide the rice crispy mixture between the 12 fairy cake cases (about a generously heaped dessertspoon’s worth of mixture per case).

Press 3 (or however many you fancy) Mini Eggs into the centre of each rice crispy heap, pushing them down a little to make sure they’re nicely stuck in and to help create that ‘nest’ shape. If your rice crispy mixture has cooled a bit by this point, the eggs might not stick firmly into it, but that’s okay: we’ll be adding melted chocolate next, which will help to keep them nice and secure!

The final step is to drizzle over some melted chocolate. I like to use a fork for this for ease (I think the tines help to get the drizzle effect!).

Drizzle the chocolate back and forth across each nest, then set them aside at room temperature to firm up for 1-2 hours before serving.

The finished nests can be stored in an airtight container at room temperature for about a week. I recommend storing them in their paper cases, because the Mars Bar mixture can make them a little sticky.

Tips & Tricks

This is a super simple recipe to make, but I do have a few tips & tricks, particularly for working with the Mars Bar mixture, that I wanted to share!

• Don’t skip the paper cases

The Mars Bar mixture is significantly stickier than the classic chocolate mixture and won’t firm up as much, so the paper cases are essential for this recipe!

• Be careful not to let the Mars Bar mixture overheat.

Mars Bars are chocolate-y, so the mixture will seize up and split if it’s overheated. Stick to a low heat, stir frequently and make sure to chop up both the Mars Bars and butter beforehand to ensure they melt evenly.

• Use a flat-edged, wooden spoon to mix the rice crispies into the Mars Bar mixture.

Once the Mars Bar mixture starts cooling down, it will become increasingly stiff and hard to work with. Because of this, you need to use a strong utensil to stir through the rice crispies (along with some good old fashioned elbow grease!). I like to use a wooden spoon with a flat edge, because it means I can really scrape down to the bottom of the pan and ensure everything is mixed perfectly.

• Work quickly

Because the Mars Bar mixture gets harder to work with as it cools, you need to start working quickly as soon as you take it off the heat. That includes when you’re mixing in the cereal, dividing it between the fairy cake cases and adding the Mini Eggs. One of the reasons this recipe is so good to make with children is that it means you have a second pair of hands— you can be dividing up the mixture while they press in the eggs!

Recipe

Print

Mars Bar Rice Crispy Nests

A fun twist on the classic chocolate rice crispy nests for Easter, these easy treats are made with a melted Mars Bar mixture and feature a melted chocolate drizzle.

Course Dessert, Snack

Cuisine British

Keyword Chocolate, Easter, Mars Bars, Nests, no-bake, Rice crispies

Prep Time 30 minutes minutes

Set Time 1 hour hour

Total Time 1 hour hour 30 minutes minutes

Servings 12 nests

Equipment

• 1 x 12-hole fairy cake tin, lined with paper cases.

Ingredients

• 4 x 39.4g Mars Bars, chopped.
• 40 g unsalted butter, diced.
• 25 g golden syrup
• 75 g rice crispies
• 36 Mini Eggs (approx. 120g).
• 40 g milk chocolate, melted.

Instructions

• Place the chopped Mars Bars, diced butter and golden syrup into a medium saucepan over low heat. Stir frequently until the butter and Mars Bars have melted completely and you have a smooth mixture.
• Remove the pan from the heat and immediately tip in the rice crispies. Working quickly, stir through the cereal until all of the rice crispies are completely coated in the Mars Bar mixture.
• Divide the mixture between 12 fairy cake cases (approx. 1 generously heaped dessertspoon per case).
• Press 3 Mini Eggs into the centre of each case, pushing them down to help form the rice crispy mixture into a 'nest' shape.
• Drizzle each nest with melted chocolate, then set aside at room temperature to firm up for an hour or two before serving.
• The Mars Bar Rice Crispy Nests can be stored in an airtight container at room temperature for about a week. I recommend storing them in their paper cases, because the Mars Bar mixture can be a little sticky.

I’ve already shared one recipe in this series: my Pink & Green Checkerboard Biscuits, inspired by Rosamund and Posy Li, two of the new characters in Season 4. Today’s recipe is inspired by their mother: Araminta Gun, the Evil Stepmother-esque antagonist of the season, played by Katie Leung (whom you might recognise as Cho Chang from the Harry Potter films!).

Table of Contents

• The Inspiration
• Equipment
• Ingredients
• How to Make Double Chocolate Espresso Millionaire’s Tartlets
  • Making the Chocolate Shortbread Dough
  • Pressing the Shortbread into the Tartlet Tins
  • Baking the Shortbread
  • Making the Espresso Caramel
  • Making the Ganache
    • Microwave Method
    • Hob Method
    • Serving Instructions
• Recipe

The Inspiration

Araminta Gun is the archetypal ‘Evil Stepmother’; she’s twice-widowed, always wearing black and positively brimming with nefarious schemes. When it came to creating a sweet treat inspired by her character, I immediately thought of some sort of double-chocolate tart (I mean, with that all-black wardrobe, it was kind of a must!): chocolate pastry and a dark, chocolate filling for a super moody, but still sophisticated and elegant treat. I actually received some tartlet tins (these ones, from Lakeland!), for my birthday last year, so I decided to make mini tarts instead of one big tart (one of the best decisions I could have made, as it turns out— more on that in a sec!). I also love making my Bridgerton-inspired recipes feel like they could fit right in at a fancy afternoon tea, so tartlets seemed like the perfect choice.

I absolutely could have made a simple, dark chocolate ganache tart with a chocolate pastry, but I wanted something a little bit more unusual for this recipe. I toyed with a couple of different ideas, but eventually settled on something that I was really excited about: a Millionaire’s Shortbread-inspired, espresso-flavoured tart. If you aren’t familiar with Millionaire’s Shortbread, it’s a super popular treat here in the UK: it’s typically served in bar form (like a brownie or slice) and features a layer of shortbread, a layer of condensed milk caramel and a layer of chocolate.

Money plays a key role in Araminta’s storyline, so the whole ‘millionaire’ vibe seemed like a perfect fit. She’s by no means a sweet character though and Millionaire’s Shortbread is (perhaps infamously) a very sweet dessert, so I wanted something that, along with the darker, double-chocolate element, would tone that sweetness down and speak more to the bitterness of her character: enter, the espresso. Chocolate and coffee is such a classic pairing (it even has a name: mocha!), so this flavour combination isn’t anything groundbreaking, but the tartlets still feel pretty unusual and exciting (while still being absolutely delicious and very palatable)!

While you would usually use pastry for a tartlet, I’ve opted to use a shortbread base here for a few reasons. Firstly, I wanted to stick as closely as possible to a typical Millionaire’s Shortbread. Secondly, the added sweetness of the shortbread compared to a pastry actually works really well in this recipe, because both the espresso and chocolate are, well, not so sweet. Thirdly (and finally), I actually have a bit of a mental block about pastry: I just haven’t been able to master it yet! This shortbread base is SO much easier to work with than a classic shortcrust pastry: it’s really great!

So, in summation: my Araminta Gun-inspired, Double Chocolate Espresso Millionaire’s Tartlets feature a chocolate shortbread crust, an espresso caramel filling and a shiny, dark chocolate ganache glaze. All of these elements come together to make the slightly more refined, much less sweet cousin of the Millionaire’s Shortbread and, I have to say, they might just be one of my favourite treats yet!

Equipment

As I mentioned, I used these tartlet tins from Lakeland for this recipe. They’re 10cm in diameter, 2cm deep, non-stick and have fluted edges and removable bases.

If you’re able, I really do recommend making this recipe in tartlet form: I’ve tried it in a couple of different formats (bars, bigger tarts etc.) and the ratio of the different layers is just perfect in the mini form! Plus, they slice so beautifully and look so pretty: I might just have to start developing even more tartlet recipes so we can all justify the presence of specialist tartlet tins in our kitchens…

Ingredients

To make these Double Chocolate Espresso Millionaire’s Tartlets, you will need:

• Caster sugar

I use golden caster sugar here, as I do for most of my bakes, because I think it adds a deeper flavour. If you only have white caster sugar though, that will work absolutely fine!

• Butter

I’m using salted butter here, because the salt really enhances the chocolate flavour and helps to temper the sweetness of the caramel. If you only have unsalted butter to hand, that’s absolutely fine— just add a pinch or two of fine sea salt to both the shortbread and the caramel.

• Plain flour

Don’t be tempted to use self-raising flour here, or your shortbread will puff up too much and you won’t be able to fit the fillings into the tartlet cases!

• Cocoa powder

Cocoa powder is what turns regular shortbread into chocolate shortbread. It is quite a drying ingredient though, so the amount of butter in the shortbread is increased slightly to ensure the dough comes together perfectly.

• Condensed milk

Ah, condensed milk: love of my life, bringer of joy. This is a key ingredient in any Millionaire’s Shortbread and this recipe is no different! It is the main ingredient in the caramel layer.

• Dark muscovado sugar

Typically, Millionaire’s Shortbread recipes use a more neutral sugar in the filling (think light brown soft sugar, light muscovado or even golden caster sugar), but I’ve used dark muscovado here to really enhance the bitter espresso flavour in the caramel and bring a little more depth and darkness to the dessert overall.

• Golden syrup

A small amount of golden syrup is also added to the caramel filling. I find that this helps to give the caramel a smoother, more velvet-y texture.

• Instant espresso powder

Instant espresso powder is the key to getting a really intense, espresso flavour without adding to much liquid to the caramel filling (and it’s readily available in most supermarkets). It is different to instant coffee granules: a bit richer and stronger, so do make sure you get the right product!

• Dark chocolate

Use a high-quality dark chocolate here for the best results— the flavour will really shine through in the finished dessert! You can go as dark as you fancy: I’ve used a 54% chocolate, because I really love the taste, but a 70% one would make for an even more sophisticated flavour.

• Double cream

We’ll melt the cream together with the chocolate to make a rich ganache. If you’re in the US, use heavy cream.

• Glucose syrup (optional)

To make sure the final layer of ganache stays really shiny, even after it’s been refrigerated, I like to add a very small amount of glucose syrup. I have this on hand for a bunch of other baking purposes, but it is a bit of a speciality ingredient. You can substitute golden syrup for the same effect, but I do find that it adds a slightly more intense sweetness to the ganache layer, so you might want to consider using a darker chocolate to balance it out!

• Sea salt

You’ll need to add a little salt to both the shortbread and the caramel if you’re using unsalted butter, just to help all of the other ingredients really shine. I also like to sprinkle the finished tarts with a little flaky sea salt: it’s a really simple decoration but it looks very elegant (and tastes delicious!). I’ve used Fleur de Sel on these tarts, which is extra delicious, but regular sea salt would also be great. Just be sure to sprinkle the salt on just before you serve the tarts, as it can dissolve slightly if it’s left in the fridge, which doesn’t look quite so pretty.

How to Make Double Chocolate Espresso Millionaire’s Tartlets

These tartlets look complicated, and there are a few different steps you need to work through, but each step is super straightforward! The shortbread crust is SO much easier to work with than a typical pastry (and it’s made entirely in the food processor!), the caramel layer is incredibly forgiving and the ganache is truly just a melt-everything-together situation. Take it step by step and you’ll be absolutely fine!

Making the Chocolate Shortbread Dough

To make the shortbread dough, put all of the dry ingredients (caster sugar, plain flour, and cocoa powder) into a food processor and pulse to combine them. I’m using a mini food processor here, because I was making a smaller batch, but I’d recommend using a standard-sized food processor for the full batch!

This ensures that the cocoa powder is well incorporated and your dough is evenly chocolatey!

Add the cold, diced butter to the dry ingredients.

Then pulse again until a chocolatey dough forms. That’s it!

A couple of tips at this point:

• Make sure your butter is cold and diced.

The cold butter helps to make the shortbread really short (hence the name!) and flaky. Dicing it beforehand means that it will combine more quickly with the rest of the ingredients.

• Don’t be tempted to add water.

Because the butter is cold, the dough will take a bit of pulsing/processing before it comes together. You might start thinking that it’s too dry to form a dough, but it’s not! You don’t need to add any extra liquid/butter, just keep processing it and the dough will form. Trust me!

Pressing the Shortbread into the Tartlet Tins

Unlike pastry, this shortbread can just be pressed into the tartlet tins. No rolling out, no flouring the work surface: just pressing in the dough with your fingers.

Start by lightly greasing each of the tartlet tins with butter. This will help you get the tarts out of the tins later on!

Bring the dough together with your hands, then divide it into 9 equal portions: 1 per tartlet tin. This way, you’ll know exactly how much dough each tartlet requires and you won’t have to worry about over-filling one and under-filling another.

Use your fingers to press one portion of the shortbread into one of the tartlet tins. Aim for an even layer of shortbread across the base and up the sides of the tin, leaving a small amount of overhang at the top edge. This doesn’t need to be perfect, as we’ll smooth everything out later, once the tarts come out of the oven.

Use a rolling pin to roll over the top of each tartlet tin. This will remove the excess shortbread dough and leave a super neat, flat edge on the tartlet shells.

The final step before the tartlet shells can be baked is to prick them all over with a fork. The shortbread will still puff up a little in the oven, but this allows the steam to escape and helps to minimise the puffing, so don’t skip it!

Once all of your tartlet shells are filled with shortbread and ready to go, collect all of the offcuts and bring them together with your hands. These offcuts can be formed into a few little chocolate biscuits, which can be baked alongside the tartlets as chef’s treats. Don’t be tempted to press the offcuts back into the tartlets— you want that extra space for the fillings!

Baking the Shortbread

Arrange the tartlets (and the extra biscuits!) on a baking tray, then bake them in the middle of the oven at 175°C (conventional, not fan) for 12-15 minutes, until the shortbread is puffed and the surface looks dry. If you’re still waiting for your oven to preheat, I’d recommend putting the tartlets into the fridge to keep them nice and cold until you can bake them.

At this point, the shortbread won’t resemble a tart shell. However, while it’s warm, it will be soft enough to manipulate, so you can use a metal dessertspoon/cup measure to gently press down on the base to flatten it back down and against the sides to sharpen them up and make it resemble a tart shell once more. This sounds fiddly, but it’s actually so quick and easy to do (and I would still take it over rolling out pastry!).

Repeat this for all of your tarts, so that you’re left with perfect little cocoa shortbread tartlet shells, ready to be filled! Set them aside to cool slightly while you make the espresso caramel filling.

Making the Espresso Caramel

I know, I know, the word ‘caramel’ can send even the most confident of bakers into a spiral, but I promise, this one’s easy! No sugar thermometers, no convoluted temperature tests, just everything in a pot and a bit of light stirring.

I like to use a saucepan with a pouring spout for this, because it makes it super easy to pour the hot caramel into the tartlet shells when it’s ready. If you have one, I’d definitely recommend it.

Place the butter, condensed milk, dark muscovado sugar and golden syrup into the saucepan and set it over a low heat.

Stir the mixture every now and then until the butter has melted and the sugar has dissolved.

While this is happening, dissolve the instant espresso powder in a splash of hot water and set it aside, ready for later.

Once the mixture is smooth, turn the heat up slightly to medium-low and bring the mixture to a gentle boil. The mixture has a tendency to stick, so you need to stir more frequently at this stage to stop it from burning.

Allow the mixture to boil for a couple of minutes, until it’s nice and thick. I realise this is a little vague, but don’t stress about it: a minute or two of boiling and stirring and you’ll be absolutely fine!

Remove the pan from the heat and stir through the dissolved instant espresso powder until it is completely incorporated.

Adding the espresso at this stage ensures that the coffee doesn’t burn while the sugar boils, which would make everything a little too bitter (and much less tasty!).

With that, the caramel layer is ready! Pour it into the tartlet shells, filling each tartlet about 3/4 full (this is to leave space for the ganache layer later).

Set the tartlets aside at room temperature to cool completely (about 30 minutes to an hour) before making the ganache layer.

Making the Ganache

The final layer of the tarts is a simple, dark chocolate ganache, with the addition of a not-so-secret ingredient to make it extra shiny and help it slice really nicely when served. This ingredient is glucose syrup (also known as liquid glucose). If you can’t find glucose syrup, you can use golden syrup instead (though this has a slightly more intense, caramel-y sweetness, so I would recommend using a slightly darker chocolate to balance this out if you do).

You can make the ganache in the microwave or on the hob. I tend to use the microwave, because it’s so easy!

Microwave Method

Finely chop the dark chocolate, then put it into a microwaveable jug with the cream and the glucose syrup.

Heat this in the microwave on the lowest heat setting in 30 second bursts, stirring in between each burst, until the chocolate has melted and you have a smooth, shiny ganache.

Hob Method

Finely chop the dark chocolate and place it into a heatproof jug.

Place the cream and glucose syrup into a small saucepan, then set over a medium heat and bring to just below a simmer, stirring frequently to ensure that it does not catch.

Pour the hot cream mixture over the chocolate and leave to sit for a minute.

After a minute, stir the mixture until the chocolate has melted and you have a smooth, shiny ganache.

Whichever method you use, once the ganache is ready, pour it over the caramel layer on each of the tartlets, filling them right up to the top, so that the ganache is level with the top edge of the shortbread crust. Give the tarts a gentle shake from side to side to smooth out the ganache layer and ensure that it completely covers the caramel layer below.

Transfer the tartlets to the fridge and allow them to chill for at least 2 hours (though they can be stored in the fridge like this for 2-3 days: the espresso flavour will get even more intense the longer they chill!) before serving.

Serving Instructions

When you’re ready to serve the tarts, carefully remove them from their tins. I find the best way to do this is to gently pull the sides of the tin away from the shortbread all the way around to loosen it, then set the tin on a small jar/tin and press down gently on the top edge to release it, making sure to apply any pressure as evenly as possible around the circumference of the tin. Then, hold the tartlet upside down and use a small, sharp knife to pry the base of the tin off the bottom of the tartlet.

Just before serving, sprinkle the tartlets with a little flaky sea salt (I used Fleur de Sel, for extra fanciness!). You can either slice the tartlets into tiny slices (SO CUTE!) or you can serve them whole for extra decadence. If you are slicing them, I recommend using a small, sharp knife and wiping it off in between each cut so that you can see the pretty layers.

Don’t be tempted to sprinkle the tartlets with salt ahead of time, while they’re still in the fridge, because I find that the salt starts dissolving and looks a lot less pretty if you do this.

Recipe

Print

Double Chocolate Espresso Millionaire’s Tartlets

Inspired by the character of Araminta Gun in Bridgerton: Season 4, these tartlets feature a chocolate shortbread crust, an espresso caramel filling and a shiny, dark chocolate ganache layer, all topped off with a sprinkling of sea salt.

Course Dessert

Keyword Caramel, Chocolate, Espresso, Millionaire’s Shortbread

Prep Time 1 hour hour

Cook Time 15 minutes minutes

Chill Time 2 hours hours

Total Time 3 hours hours 15 minutes minutes

Servings 9 tartlets

Equipment

• 9 x 10cm diameter tartlet tins

Ingredients

For the chocolate shortbread:

• 75 g caster sugar
• 225 g plain flour
• 3 tbsp cocoa powder
• 180 g salted butter, cold and diced, plus extra for greasing (see Note 1).

For the espresso caramel layer:

• 100 g salted butter (see Note 1).
• 1 x 397g can condensed milk
• 100 g dark muscovado sugar
• 2 tbsp golden syrup
• 1/2 tbsp instant espresso powder, dissolved in a splash of hot water.

For the ganache layer:

• 90 g dark chocolate, finely chopped (see Note 2).
• 180 ml double cream
• 1/2 tsp glucose syrup (see Note 3).

To finish:

• Flaky sea salt (I used Fleur de Sel, but any sea salt would work).

Instructions

Make the chocolate shortbread tartlet shells:

• Preheat the oven to 175°C (conventional oven, not fan). Grease 9 tartlet tins lightly with butter and set aside.
• Place all of the shortbread ingredients into the bowl of a food processor and pulse until a dough forms (this will take a bit of time— just keep processing and it will come together! Don't be tempted to add any water.).
• Tip the dough out onto a clean work surface and finish bringing it together with your hands. Divide the dough into 9 equal portions, one for each tartlet tin.
• Press a ball of dough into one of the tartlet tins, aiming to get an even layer of shortbread right across the bottom and up the sides of the tin. Leave a small amount of overhang at the top of the tin, then use a rolling pan to roll over the top of the tin to remove the extra dough and leave a super neat edge. The dough offcuts can be used to make a few little chocolate biscuits that can be baked alongside the tartlets.
• Prick the dough on the base of each tartlet all over with a fork, then bake in the preheated oven for 12-15 minutes, until the surface looks dry (the shortbread will still puff up quite a bit, but that's okay— we'll fix it in the next step!).
• As soon as the tartlet shells come out of the oven, use a dessertspoon/metal cup measure to gently press the shortbread down on the base and around the sides. The shortbread will still be quite soft when it's warm, so you can easily reshape it to make the perfect little tart shells.
• Leave the tarts to one side to cool slightly while you make the caramel layer.

Make the espresso caramel layer:

• Place the butter, condensed milk, dark muscovado sugar and golden syrup into a saucepan (preferably one with a pouring spout, if you have one). Set over low heat and stir every now and then until the butter has melted and the sugar has dissolved.
• Turn the heat up slightly to medium-low and allow the mixture to boil, stirring frequently, for a couple of minutes, until thick.
• Remove the pan from the heat and stir through the dissolved instant espresso powder until completely incorporated.
• Pour the hot caramel into the tartlet shells, filling each tartlet about 3/4 full (you need to leave room for the ganache layer). Set the tartlets aside at room temperature to cool completely (about 30 minutes to 1 hour).

Make the ganache layer:

• Once the tartlets are completely cool, make the ganache layer. Place all of the ganache ingredients into a microwaveable jug and heat on the lowest setting in 30 second bursts, stirring in between each burst, until the chocolate has melted and you have a smooth, shiny ganache. If you don't have a microwave, bring the cream and glucose syrup to just below a simmer in a saucepan, then pour over the chopped chocolate, leave to stand for a minute, then stir until smooth.
• Pour the ganache onto the cooled tartlets, filling them right up to the top, so that the ganache sits level with the top of the shortbread crust. Give the tarts a gentle shake from side to side to make sure the ganache layer is smooth and completely covers the caramel layer below.
• Transfer the tarts to the fridge and chill for at least 2 hours before serving. The tarts can be stored in the fridge for 2-3 days, so you can make them ahead of time (the espresso flavour will also get more intense as they chill).

To serve:

• Carefully remove the tartlets from their tins. Sprinkle with a little flaky sea salt and serve.

Notes

1. You can use unsalted butter instead: use the same amount but add a pinch or two of fine sea salt.
2. I used a 54% dark chocolate, which isn’t super dark, but works really well with the other flavours. If you want a slightly more bitter, intense flavour, use a darker chocolate (a 70% would work well!).
3. Adding a small amount of glucose syrup to the ganache makes it super shiny and helps it slice really nicely. Glucose syrup is a bit of a specialist ingredient though so, if you don’t have it to hand, you can use golden syrup instead. Golden syrup has a slightly more intense, caramel-y flavour and sweetness, so, if you do this, so you might want to consider using a darker chocolate to balance it out.

My December gnome was another mystery gnome. The Advent mystery gnomes work a little differently, though: instead of pattern updates every few days, you get an update every day (in this case, from 1st-21st December). Not all of the updates are knitting clues, though— there are also festive recipes, miscellaneous patterns and periodical instalments of the festive story behind the gnome, so the knitting itself isn’t too overwhelming.

I wanted to wait to post my Gnandad until the mystery knitalong was finished to avoid any spoilers for people participating in/following along with it. I meant to post this in January but time just got away from me… No matter, we’re here now, excitingly (albeit belatedly) bringing the curtain down on my Year of Gnomes 2025 experience!

So, finally, I can introduce… Gnandad!

Gnandad is a rather impish gnome: when he’s not having a nap in his chair by the hearth, he can often be found in the local store, pottering around the fruit and veg aisle and plotting to ambush his grandchildren at the next family dinner with the most obscure produce he can find. He’s a morning gnome— he wakes up bright-eyed and bushy-stached before the sun has even risen, but, the minute the sun starts to go down in the evening, you’ll catch his eyes (and moustache) beginning to droop.

Table of Contents

• Choosing December’s Gnome
• Updated MKAL Thoughts
• The Yarn
• Thoughts on the Pattern
• Things I Loved!
• Things I Didn’t Quite Love…
• Final Thoughts

Choosing December’s Gnome

While you didn’t have to participate in the Gnandad MKAL (mystery knitalong) as part of the Year of Gnomes (you can make any gnome you want!), I thought it would be a nice way to finish off the experience, so I decided to go for it, despite not loving the mystery format in my previous two attempts (I’m a girl who likes to plan ahead, what can I say?). Plus, Gnandad felt like he was going to be very festive, which is an easy way to convince me to give something a go (I, like Mariah Carey, defrost for Christmas), so I was sold!

Updated MKAL Thoughts

This was my third time participating in a Mystery Knitalong (MKAL), so I thought I’d give you my updated thoughts on the general experience of knitting with absolutely no idea where you’re heading.

Overall… I’m still not obsessed with MKAL gnomes. I think I just prefer knowing what I’m getting myself into, so that I can be really intentional about the colours I pick. I also like seeing the gnome as it gradually comes together, which I feel you miss out on a little bit with an MKAL?

I was actually super late to the party this time around: I fully intended to start my gnome on 1st December butttttt…. I ended up starting it on 19th December instead. Because I was so late, I actually spoiled the surprise for myself on purpose and looked at other people’s progress photos. Honestly, I just didn’t feel like I had the energy to enjoy the mystery of it all and trust the process, which I know isn’t really in the MKAL spirit, but it definitely helped me this time around (so, I guess this was really just a KAL for me, then?).

However, I do think MKALs can be fun: it’s kind of exciting to see everyone else’s gnomes evolving in real time and you do feel like you’re part of a gnome-y community!

The Yarn

As with most of my other Year of Gnomes projects, I picked my yarns for Gnandad from my mum’s fingering-weight stash, which mainly comprises of little balls of yarn leftover from making socks. For her sample gnome, Schira used a teal shade for the contrast colour that I really loved, but I couldn’t find anything remotely similar in the stash, so I picked a paler, mint green shade.

Reader, this was a mistake. I started knitting Gnandad‘s hat, then quickly realised that there wasn’t enough contrast between the green and grey shades, which was rendering the colourwork that I was so painstakingly working… absolutely useless. I lived in denial for a few more rows, then realised I needed to go back and start again, so I did, substituting the green with this rich, magenta-y purple. I figured it was a good shade because (most importantly) the contrast was much better, but also because it’s kind of festive, but in a classic, casual, not red-and-green kind of way, if you get what I mean?

I was a little bit worried when I was knitting with the darker grey shade, because it felt a little thinner than the other yarns and I was concerned that the stuffing would show through (which would be especially noticeable, given the contrast between the dark yarn and the white stuffing!). Luckily, this turned out to be a case of worrying over nothing (my modus operandi) because you truly can’t see any stuffing at all through the fabric! A win for Gnandad!

In the end then, I used the following colours for my Gnandad:

• C1: Purple
• C2: Light Grey
• C3: White
• C4: Dark Grey

Thoughts on the Pattern

As mystery gnomes go, I actually thought Gnandad was pretty simple— often, I find that Schira’s mystery gnomes are much more complex and fancy than her other gnomes, but Gnandad was pretty understated. I think the fun of him is in the unusual techniques used to make him, rather than his overall look at the end. Because of this, there were definitely some new techniques for me in this project: a new type of colourwork (which I believe is called mosaic knitting?), Estonian braids and moustache-making!

One thing I did notice about this pattern is that the needle size you need to use changes around quite a bit (particularly when you’re making the hat!), so I would recommend paying extra attention to that throughout.

Things I Loved!

There are so many cute details on Gnandad that I absolutely love!

• Gnandad’s Moustache

It always amazes me how Schira seems to be able to come up with new & innovative designs every time: the moustache took me by surprise (I’m used to lonely beards), but it’s so cute!

• The Estonian Braid Element

This was my first time working an Estonian Braid and (once I’d actually watched the recommended video, so that I knew what I was doing) it was really simple to do. I really enjoyed learning a new technique and I think it’s a really fitting feature on Gnandad: it looks super cute and it helps to balance out the colours nicely.

• Gnandad‘s Suspenders

I wasn’t entirely convinced by the idea of the suspenders at first— not for any particular reason, I just didn’t know how they’d work? But I love them. My favourite thing about them is that I can tuck Gnandad’s little arms into them like he’s about to settle in for a jolly ‘back in my day…’ kind of story. I think they really make him!

• Gnandad‘s Feet

The return to gnome feet! I can’t tell you how excited I was when I realised Gnandad had feet: I love making them (the three-needle bind off is SO satisfying) and I love how cute they make the gnomes look.

• I-cord Toppers

I’ve made (or attempted to make) these i-cord toppers before on Gnectar, back in August, but… they didn’t end up right. Luckily, with Gnandad, I must have conquered my i-cord demons because they turned out perfectly! I’m so much happier with them.

Things I Didn’t Quite Love…

As always though, there are a couple of things that I am not so fond of…

• Gnandad‘s Beard

I have a couple of issues with Gnandad‘s beard: firstly, I’m not super happy with the cast-off edge— I think I made it a little too tight because the beard has a slightly odd curve to it. Secondly, and this is entirely a me-problem, the beard is kind of… weirdly long and it just… well, it reminds me of a giraffe tongue and makes me uncomfortable. I guess not all beards are made equal?

• Gnandad‘s Moustache

I know what you’re thinking: ‘But Gemma! You said you loved his moustache!’. I did! And I do! But I think I could execute the ‘stache better: it’s a little smaller than I think it’s meant to be and pretty… diamond-y? Honestly, I wasn’t entirely sure what I was doing when I read the instructions, so I just snipped and hoped for the best? It looks good, but I think it could look great.

• Mosaic Colourwork

I can see the appeal of this technique and yes, it looks great, but honestly, it wasn’t my favourite to work up. I kept feeling frustrated at having to work double the number of rows (I actually missed stranded colourwork!) and it felt like it took forever because of it. I do like the effect, but the process was endless.

• The Shape of Gnandad‘s Hat

The shape of Gnandad‘s hat feels a little less smooth than some of the other gnomes I’ve made from Schira’s patterns that have similar, conical hats. This could be to do with my tension/stuffing skills (or lack thereof), but it just irks me a little.

Final Thoughts

If I’m being completely honest, I was a little underwhelmed by Gnandad at first. I think a big reason for this is that I had made Gnoel just before and he was my absolute favourite gnome I’ve ever made. Really, poor Gnandad, how was he supposed to top that?

However, over time, I’ve grown quite fond of him! His little moustache and suspenders (and, most importantly, the fact that I can tuck his hands into said suspenders) give him such personality! He’s like a slow-burn gnome: he doesn’t immediately draw the eye but, once you’ve spotted him, there are all these little features to admire.

On the whole, he was a pretty quick knit, except for his hat, which felt like it took forever (this is me, formally picking a fight with mosaic knitting). The new, more complex techniques are used sparingly, so there are large sections of just basic knitting, which helped speed things up too.

And that is Gnandad, my December gnome and the final gnome in my Year of Gnomes 2025. 12 months, 12 gnomes, a plethora of new techniques and a whole host of whimsical fun and cosy knitting. While I’m not necessarily in a rush to embark on another year-long knitting challenge any time soon, I did enjoy participating in this extended knitalong: I loved seeing all of the gnomes everybody made and I love my own little 2025 gnome collection.

I hope you’ve enjoyed this series as much as I have! Year of Gnomes 2025: over and out.

If you're interested...

You can find the pattern for Gnandad on Ravelry here.

You can find my Ravelry project page for Gnandad here.

Gemma

xxx

The first recipe in this series is for these Pink & Green Checkerboard Biscuits: my tribute to the Li Sisters, Rosamund and Posy, who made their debuts in Season 4.

Table of Contents

• The Inspiration
• Ingredients
• How to Make Pink & Green Checkerboard Biscuits
• Recipe

The Inspiration

Season 4 of Bridgerton is, at its heart, a Cinderella story. As part of that, it follows the oft-used approach of having one of ‘Cinderella’s’ stepsisters be, well, nicer than the other: in this case, Posy is an absolute sweetheart and Rosamund is… I guess, whatever the opposite of that is.

Do you guys remember that old nursery rhyme that says something about girls being made of “sugar, spice and everything nice”? These two characters really remind me of it: Rosamund feels very spice and Posy feels very sugar. The official Bridgerton Instagram account ALSO referenced sugar and spice with regard to these characters (you can see the post here!), which made me feel extremely validated, so I figured that the whole sugar & spice thing would be a great concept for this recipe.

Last Christmas, I made Swedish Schackrutor for the first time as part of my Baking Around the World series. These tiny shortbread biscuits have a 2×2 checkerboard pattern, made with a combination of vanilla and chocolate dough. I thought these checkerboard biscuits would be a perfect base for this recipe: two sisters, two completely difference personalities and two doughs, all coming together to make one (delicious) biscuit!

When it came to deciding on the flavours, I was partially influenced by the whole sugar-and-spice vibe, but also partly by colour. In much of the promotional media for Season 4, Rosamund and Posy are seen wearing pink and green floral-print dresses: both fabrics feature the same pattern, but the colours are inverted. This fit so well with the checkerboard biscuit idea, I just had to make these biscuits pink and green, which heavily inspired the resulting flavours. I also love that these biscuits feel super Bridgerton: they’re colourful and fun, but they’re also fancy and delicate.

I’m not opposed to using food colouring, but, if I can, I prefer to use more natural alternatives. These biscuits are food-colouring free, tinted pink and green by the freeze-dried strawberry powder and matcha powder, respectively. Strawberry and matcha not only fit the pink-and-green colour palette perfectly, but they’re also a really delicious pairing, as evidenced by the strawberry matcha lattes that went viral over the past year (or two years? Or five years? I’m not even sure…)! I really liked the idea of these biscuits referencing the time period in which Bridgerton: Season 4 was released, as well as being inspired by the Regency setting of the show, so I ran with the flavour combo.

I did, however, want to incorporate a spicy element into the biscuits, so I opted to pair the strawberry flavour with pink peppercorns. I’ve actually heard of people pairing strawberries with black pepper before, so I figured pink peppercorns weren’t too much of a stretch: they’re milder (though they still bring a little bit of warmth to the dough), with a slight citrus-y note, and fit the pink colour palette perfectly, so I figured they’d be a great option here!

Honestly, I’m not usually the biggest fan of matcha (sometimes I just find it a little too earthy?), but I had a matcha panna cotta once that I absolutely loved and I think the difference was the presence of vanilla in the recipe: it really brings out the sweetness of the matcha without overpowering its flavour. Therefore, I opted to include a small amount of vanilla bean paste in the matcha dough, to make it a little more sweet and a little more delicious (for me, at least!).

Ingredients

The basic biscuit dough is a simple shortbread, using the classic 1-2-3 ratio of caster sugar-butter-plain flour (the same base that I used for my Schackrutor recipe). I’ve used unsalted butter here, but you can use salted butter if you prefer.

This recipe doesn’t make a huge batch of biscuits (they’re pretty tiny!), but you can easily scale it up to make more if you want.

To flavour the doughs, I used the following 4 ingredients:

• Freeze dried strawberries

It turns out that freeze dried strawberries aren’t as readily available as freeze dried raspberries in the supermarkets near me (who knew?), so I purchased mine on Amazon. They’re a great way of getting loads of strawberry flavour into bakes, particularly ones like shortbread that can’t handle too much additional liquid.

I bought freeze dried strawberries slices and ground them into a fine powder myself, using a mortar and pestle. If you can find them in powder form, you can absolutely buy them like that instead.

• Pink peppercorns

Surprisingly, pink peppercorns are not related to the classic black peppercorns we know and love (I’m lying, black pepper and I do not see eye to eye). Pink peppercorns are actually a dried berry! However, because they have a pepper-y flavour, they’re often grouped together with the other peppers of the world. Along with their relatively mild, but still warming, pepperiness, they have an almost citrus-y flavour, which works really well with the fruitiness of the strawberries and the earthiness of the matcha powder.

You can of course leave the pink peppercorns out to make these into Strawberry Matcha biscuits. I’d probably still keep the vanilla in if you do this, just to really highlight the matcha flavour.

• Matcha powder

Make sure you get a high quality, pure matcha powder (not one of the flavoured alternatives) for this recipe. It can be quite expensive, but you don’t need much at all for this recipe.

• Vanilla bean paste

I like to use vanilla bean paste in these biscuits because it adds plenty of vanilla flavour without adding as much liquid as regular vanilla extract would (and without the faff of dealing with a vanilla bean). As I mentioned earlier, I find that adding vanilla to matcha desserts really brings out the sweetness of the matcha, so I definitely think it’s a worthwhile addition to this recipe!

How to Make Pink & Green Checkerboard Biscuits

Making the base dough for these checkerboard biscuits is super easy: you just put the ingredients (sugar, butter and flour) into a food processor (I use a mini one) and pulse/process until everything comes together. That’s it!

Things get a little more complex when it comes to flavouring and shaping the biscuits, but it’s still pretty straightforward once you know what you’re doing.

First things first, split the dough into two equal portions. I like to use a weighing scale for this to make sure that both halves of the dough are exactly the same size.

Add the matcha powder and the vanilla bean paste to one half of the dough. To the other half, add the freeze-dried strawberry powder and the ground pink peppercorns.

Working with one dough at a time, knead in the flavourings until they are evenly distributed throughout the dough and the colour is even.

Once you have both doughs ready to go, you need to split both of them up into smaller portions. Again, I like to use a weighing scale for this to ensure the portions are all the same. Start by dividing each ball of dough into 3 equal portions.

Then, divide 2 of each of those 3 portions in half again. You should be left with 1 large ball and 4 small balls of each dough flavour. The smaller balls will form the checkerboard body of the biscuits, while the larger ball will be rolled out and wrapped around the biscuits to form the border.

Use your hands and a bench scraper (or a clean, metal ruler: anything that will help you to really square off the edges of the dough) to shape each of the smaller balls into rectangular logs (you want the cross section of each log to be approximately 1 cm x 1 cm), making sure the logs are as equal as possible in length. You should end up with four green logs and four pink logs.

Carefully press each green log up against one of the pink logs, making sure they are stuck together, but being careful not to squish the dough out of shape too much.

Place one pair of logs on top of another pair of logs, positioning it so the top green section sits on top of the bottom pink section and vice versa. This creates the checkerboard pattern. Again, press them together, but try not to distort the shape too much. Repeat this process for the second pair of logs, so that you have two short cuboids featuring a 2×2 checkerboard pattern.

Now, it’s time to wrap the biscuits in their final dough layer! This gives the biscuits a really pretty border and makes them feel that little bit fancier (if you’d prefer to make the biscuits sans border, follow the instructions on my Swedish Schackrutor post instead— the dividing of the dough is a little less complicated if you do it that way too!).

Take one of the large dough balls and roll it out between two pieces of baking paper (you don’t want to use flour at this stage, because it will prevent the dough from sticking to the biscuit logs, so the baking paper is there to stop it from sticking to your work surface/rolling pin!). Aim for a rectangle the slightly wider than the length of one of your checkerboard logs, and long enough to wrap around the whole thing (approx. 8cm). Try to keep the thickness as even as possible, so that the border looks super neat.

Peel off the top layer of baking paper, then place one of the logs onto the dough, positioning it at one end.

Use a sharp knife to trim along the back of the log, as well as down both sides, flush with the edges of the log. This will make the final dough layer really neat.

Use the baking paper to help you roll the log down the length of the dough, wrapping it up in the dough as you go and pressing the edges gently to ensure the dough sticks to itself, until you’ve covered the whole thing like a little Battenberg. Trim off any excess dough at the end.

Repeat this process for the second log, using the other dough flavour (the final ball!) to cover it. Wrap both of the biscuit logs tightly in clingfilm, then place into the fridge to chill for 2 hours. This will firm the dough up, so that you can slice the logs without distorting your hard-earned checkerboard pattern.

There’s no need to throw away the dough offcuts— roll them all together and form them into a couple of round biscuits (top left in the photo above!). Aim to make these biscuits a similar size to the cross section of your biscuit logs (approx. 3-4cm in diameter). You can bake them alongside the ‘official’ biscuits as little chef’s treats later!

Once the logs have chilled, unwrap them and use a sharp knife to cut them into slices, approx. 5-7mm thick.

Space the biscuits out on a baking tray, lined with baking paper (they won’t spread too much, so just leave a little gap between them). Bake them at 180°C (conventional oven, not fan) for 6-8 minutes, until they’re just turning golden around the edges (this is usually easier to see in the strawberry-flavoured sections than the matcha ones!).

Allow the biscuits to cool on the tray for 5-10 minutes, then transfer them to a wire rack to cool completely before enjoying.

Leftover biscuits can be stored in an airtight container at room temperature for about 3 days before they start going a little soft.

Recipe

Print

Pink & Green Checkerboard Biscuits

Inspired by the Li Sisters in Bridgerton: Season 4, these shortbread biscuits are the perfect blend of sugar and spice. Two doughs, one flavoured with matcha and vanilla, the other with strawberry and pink peppercorns, come together to make a delicious, checkerboard-pattern treat

Course Dessert, Snack

Keyword Matcha, Pink peppercorns, Shortbread, strawberry, Vanilla

Prep Time 1 hour hour

Cook Time 8 minutes minutes

Chill Time 2 hours hours

Total Time 3 hours hours

Servings 16 biscuits

Ingredients

• 25 g caster sugar
• 50 g unsalted butter, diced and softened.
• 75 g plain flour
• 1/2 tbsp freeze dried strawberry powder (see Note 1).
• 1/2 tsp pink peppercorns, finely ground.
• 1/2 tsp matcha powder
• 1/8 tsp vanilla bean paste

Instructions

• Place the sugar, butter and flour into the bowl of a food processor (I use a mini one). Pulse/process until a dough forms.
• Use a weighing scale to divide the dough in half, then place each half into a separate bowl. Knead the freeze dried strawberry powder and ground pink peppercorns into one of the dough halves, then knead the matcha powder and vanilla bean paste into the other.
• Divide each ball of dough into 3 equal pieces. Then, divide 2 of the 3 balls in half, so that you are left with 1 large ball and 4 smaller, equal balls of each colour.
• Use your hands and a bench scraper (or a clean metal ruler/anything that can be used to square off the edges of the dough) to form each of the smaller balls into short, rectangular logs (the cross section should be about 1 cm x 1 cm) of the same length. You should end up with 4 green logs and 4 pink logs.
• Press one pink log alongside one green log. Make sure they are stuck together, but try not to distort the shape too much. Repeat this for the remaining logs.
• Press one pair of logs on top of another, positioning them so that the top green section sits on the bottom pink section and vice versa. Repeat this for the second pair of logs, so that you end up with two larger, rectangular logs with a 2×2 checkerboard pattern.
• Roll out one of the larger dough balls between two sheets of baking paper. Don't add any flour at this stage. Aim to roll the dough into a rough rectangle, slightly wider than the length of one log and a little over 8cm long, so that it can be used to wrap all the way around one of the logs.
• Peel off the top sheet of baking paper, then place one of the logs on top of the rolled out dough, at one end. Use a sharp knife to trim off the excess dough along the back of the log and down both sides, flush with the edges of the log.
• Using the baking paper to help you, roll the log down the length of the rolled out dough, pressing gently to help the dough stick to itself, until it is completely covered, like a Battenberg. Trim off any excess dough, then repeat the process for the second log with the final, large ball of dough (in the other colour).
• Any offcuts can be rolled together and pressed into little round biscuits to be baked alongside the checkerboard biscuits later.
• Wrap both biscuit logs tightly in clingfilm, then place them into the fridge to chill for 2 hours. This will firm them up, so that you can slice them without distorting the checkerboard pattern.
• After 2 hours, preheat the oven to 180°C (conventional oven, not fan). Slice each log into biscuits about 5-7mm thick, then space them out on a baking tray lined with baking paper. The biscuits won't spread very much, so you don't need to leave heaps of room between them.
• Bake the biscuits for 6-8 minutes, until just starting to turn golden around the edges. Allow them to cool on the tray for 5-10 minutes, then carefully transfer to a wire rack to finish cooling before serving. The biscuits can be stored in an airtight container at room temperature for up to 3 days before they start going a little soft.

Notes

1. If you buy the slices of freeze dried strawberries, this works out at approximately 2g (or 5ish slices). Grind the slices into a fine powder using either a mortar and pestle or a spice grinder. 

The Ovis Socks by saskie&co are a super popular design in the knitting sphere: they feature a simple, sheep-inspired colourwork pattern that runs across both socks, despite the colours being inverted to make a ‘mismatched’ pair. I’ve wanted to make them for a while, but they’re knitted with a fingering weight yarn held together with a mohair yarn and I don’t love the feel of mohair (in general, really, but particularly on my feet!). Luckily, my mum loves a cosy, fluffy sock (and a sheep motif, she is a knitter after all), so I figured she would be the perfect person to make these socks for!

Full disclosure: these socks took me a while to finish, not because the knitting itself requires a lot of time/effort (they’re actually pretty quick to work up!), but because I ran into so many problems with gauge/fit/trying to knit them without my mum knowing. I started them in early summer and I finished them… in the New Year. Poor Mum had to open a single sock on Christmas Day (and the ends weren’t even sewn in…)!

In this post, as always with my 'Making a...' series, I'll be chatting about my experience making this pattern, as well as detailing any changes/adaptations I made. If you want to make your own Ovis Socks, you can purchase the pattern from saskie&co on Ravelry here!

Table of Contents

• The Pattern
• The Yarn
• The Knitting Process
  • Cast-On
  • Colourwork
  • Afterthought Heel
  • Toe
  • Blocking
• Final Thoughts

The Pattern

The pattern for the Ovis Socks is super clear & concise, without being too brief (I’ve talked before about how I like to be spoon-fed when it comes to knitting patterns!). Each section has a little subheading (e.g. ‘TOE’ or ‘AFTERTHOUGHT HEEL’), which makes it super easy to navigate your way through the instructions— it’s a small thing, but it made a big difference for me!

My favourite thing about this pattern is the design: I think the colourwork pattern is simple, but so effective and I really like the whole mismatched vibe. Not only does switching the colours balance out your yarn usage of each colour (yay for saving money!), but I also just think it’s a really fun, unusual feature. I think saskie&co does this for all of their sock patterns, which I love!

In terms of the construction itself, the socks are knitted cuff-down with an afterthought heel. This was my first time knitting an afterthought heel and I actually quite enjoyed it! The socks are pretty short on the leg: if I made them again, I’d be tempted to make them slightly longer so that they can be worn comfortably with hiking boots (I just feel like they’re hiking socks?!). Luckily, that would be super easy to do with this pattern: you’d just knit more repeats of the colourwork chart!

My only real issue with the pattern was the recommended needle size. The pattern instructs you to use 2.25mm needles, which seems pretty small for what is essentially a DK weight sock (especially one with colourwork!). For the first sock I made, I used the suggested needles for the ribbed cuff, toe and heel, then used a 2.5mm needle for the colourwork (because I just couldn’t bring myself to use a 2.25mm needle for that too). I made the whole sock (at great cost to my fingers, which, let me tell you, were SORE from fighting the yarn) and… it didn’t fit on my mum’s foot. Admittedly, this may have been my fault (the main problem area was the stripe of 3-colour stranded colourwork, so maybe my floats were too tight?), but the fabric was so stiff that it was a) no fun at all to make and b) just didn’t give me the right vibe for a sock (socks are supposed to be soft and cosy, right?!).

Ultimately, I decided to switch to using 3.00mm needles for the whole of the next sock (cuff, heel, toe, leg AND foot) and it was much better: the socks fit perfectly and my fingers were (slightly) less sore. I don’t have a particularly tight tension typically, so I don’t think that was the problem here, but no matter, it worked out! Naturally, because mohair is a menace to frog, I opted to just make a third sock instead of trying to rip back the first one, so, if anyone can think of a use for a lone, almost unwearable, but very beautiful Ovis Sock, let me know!

The Yarn

I decided to make things a little easier for myself by using the same main yarn as the one used in the pattern: Istex Einband (in the shades Almond Heather (9076) and Light Ash Heather (1026)). I get most of my wool from Wool Warehouse, but they don’t stock this particular brand, so I bought it from LindeHobby instead.

This was my first time using Icelandic wool and I have to say, it was a pretty different experience! Usually, I knit socks in wool/nylon blend yarns, so they’re soft and stretchy, but still hardwearing. This yarn is not at all stretchy and not overly soft (I did find it a little hard on my hands!), but it made a really great pair of socks that I know will last for a long time (plus, the mohair softens up the fabric, so it works out). I do like how natural this yarn feels though and I really love the two neutral shades used in the pattern.

The mohair yarn suggested by the pattern (Ritual Dyes Fae) was a bit out of my price range, so I opted to use a cheaper mohair that I knew pretty well already: DROPS Kid Silk. My mum had actually used this particular yarn for mohair socks before and really liked it, so I figured it was a safe bet. It’s very soft and it has a pretty extensive shade range, so I was easily able to find shades that matched the Einband ones (Off White (01) and Toffee (51)). It does tangle pretty easily, but I think that’s a bit of a classic feature of mohair yarns, so I won’t hold it against it.

I made the 5th size and bought two balls of each colour in each yarn (which, in hindsight, was a ridiculous amount of yarn? If only I could explain the actions of past Gemma but, alas, I have no idea what was going through my head…). After making 3 socks (2 with the brown shade as the main colour, 1 with the grey shade as the main colour), I had approximately 1 1/4 – 1 1/2 balls of each leftover. Yes, I know, I know: mistakes were made. The required yardage listed for both shades/yarns in the pattern was 251m and the Istex yarn comes in 50g/250m balls, while the DROPS yarn comes in 25g/210m balls. I guess I must have been very worried about running out? Whatever the case, I am writing this realising I have all of this leftover yarn and will, inevitably, have to make another pair of hard-on-the-fingers socks. Sigh. Maybe I’ll try one of saskie&co’s other sock patterns? Or maybe even… the Ovis Mitts?! I do have some dreams of an Ovis Gnome too… urgh, someone restrain me!

The Knitting Process

This pair of socks posed a lot of new challenges for me: it was my first time making socks with no-stretch yarn, making mohair socks, working an afterthought heel, making a DK weight sock AND making mismatched socks! When I think about that, it’s no surprise that I encountered a few issues throughout the process: that’s a lot of first times for one pair of socks!

Cast-On

The pattern calls for using ‘your choice of stretchy cast-on method’, so I opted to use the German Twisted Cast On, because I’d been using it a lot for my various gnomes at this point. However, I have been finding that it hasn’t been working up super neatly for me recently (can you see the slightly uneven edge on the grey sock?), so I wonder if Alternating Cable might have been a slightly better fit here?

Colourwork

I’ve been working on my colourwork technique over the past year (previously, my technique was, quite literally, dropping and picking up the yarns as needed, which wreaked havoc on my tension!) and have started using a two-handed approach, which I first saw on this Instagram video, by @engineeringloops. I’ve been loving this method! It works so well for two colours, but I haven’t found a way to make it work with three colours, so, whenever there are three-colour sections (like the sheep in this design), I revert back to my drop-and-pick-up method of old.

The main colourwork pattern that repeats throughout the leg and foot of the sock is super simple and easy to remember, which makes the knitting process that bit quicker. I love the subtle, rustic effect the design gives the socks.

The sheep that sit along the top of the sock are a little more complicated, because they contain a third colour. I was so careful with my floats, making sure they weren’t too tight, but I think just having that extra yarn in there really tightens up this section, which definitely affects the fit of the socks. I can see why some knitters opted to duplicate stitch on the heads/legs of the sheep, but it just felt like too much of an extra step at the time! Luckily, on the larger needle size the socks actually go over my mum’s heel, so all’s well that ends well!

Afterthought Heel

As I mentioned, this was my first time working an afterthought heel and it was so much simpler than I expected! I wouldn’t go so far as to say that I’m a convert (I am loyal to my beloved Shadow Wrap Heel!), but I can see that there is a time and a place for an afterthought one (that time and place being a sock featuring intense colourwork!).

It’s a little bit of a drag to have to go back and work the heel after finishing the toe, and it does feel pretty odd essentially knitting a… second toe? I did also have to look up a separate tutorial for picking up the stitches for the heel (apparently, the rule is you always go into the right leg of the stitch, in case you’re wondering too!), but, once I knew that, I was absolutely fine!

Toe

The toe shaping in the pattern is really easy to work, but the finished result is ever so slightly too pointy for my taste: it’s not bad by any means, but I am a big fan of a more rounded toe, so I think I’ll stick to my usual method with future socks.

Blocking

Once I’d made both of the (correctly sized) socks, I wet-blocked them and left them to dry on sock forms (which make the process so much simpler!) to really even out the colourwork and make the knitting (and, by extension, the socks) look super neat! I definitely felt this was necessary, especially with my slightly looser gauge on the 3.00mm needles, which looked a little less neat than the smaller gauge had (but also, you know, actually fit and felt like a sock!). Once blocked though, both sock sizes looked just as neat as each other, so I’m happy.

Final Thoughts

I’m so happy with these Ovis Socks: I’d definitely make them again… for the finished product, not necessarily for the process. If I’m being honest, the yarn hurt my fingers (rip) and the 3-colour section was a bit of a sticking point for me, but I love the design and I really enjoyed learning the new heel technique.

My biggest problem that I ran into with this project was definitely the gauge (and it’s subsequent effect on the fit of the socks). If I did make them again, I do think I would use the 3.00mm needles again: it does make the finished socks ever so slightly less neat, but the fabric is much better (and more sock-suitable!) and it didn’t destroy my fingers in the same way that using the 2.50mm needles did!).

Also, most importantly, my mum (who now finally has her finished Christmas socks!) loves them, which is all that really matters in the end!

If you're interested...

You can buy the Ovis Socks pattern on Ravelry here.

You can find my Ovis Socks project page on Ravelry here.

Gemma

xxx

Fear not, though, because I am back now and intent on bringing you as much joyful, creative deliciousness as possible this year. There’s a lot of horrible stuff going on in the world right now and, sometimes, I feel like posting about my cakes and crafts is a bit… silly? Or just unhelpful? Or maybe even inappropriate? However, I saw a post on Instagram recently that said it’s important to allow space for both outrage towards the big issues (of which there are many) and appreciation for the small joys of everyday life (of which there are also many). It really resonated with me: I feel that the small joys allow us to maintain hope for better times, while the outrage spurs us to help bring those better times about. So, I will continue to share my small joys with you, in the hope that some of them can become your small joys and we can maintain hope for a happier, less hateful world together.

With that, it’s time to get back to what I do best: unhinged creativity by the bucketload. First on the blog for 2026: my annual fusion of bullet journalling and knitting… the Knitting Journal!

Every year, I make my mum a Knitting Journal, where she can plan out her upcoming projects and make notes on her current knits. This journal is purely for planning: I’ve seen some amazing journals where people make these gorgeous, scrapbook-style spreads for their finished projects (and I’m OBSESSED), but that’s not what we’re going for here (truly, that would just be time away from knitting for Mum, which is never her aim!).

I’ve shared her previous two Knitting Journals here on the blog: you can find the 2024 version here and the 2025 version here, if you want to check them out. Today’s post, though, is all about the updated 2026 version!

Table of Contents

• Journal
• The Brief
• Equipment
• Initial Pages: General Planning
  • Cover Page
  • Project Ideas
  • Yarns to Try
  • Stash-Busting
  • Present Ideas
• Monthly Spreads
  • Project Overview + Monthly Calendar
  • Project Notes
• Christmas Planning
• Final Thoughts

Journal

I’m trying a different notebook brand for my journals this year: Tiefossi. For my mum’s Knitting Journal, she picked the Moonlight Melody notebook in the Light Blue shade.

It’s always a risk trying out a new notebook (I’m specific about what I like!), but I really loved using this one! The dot-grid pages are thick (and numbered!), the notebook has an elastic closure, pen holder and back pocket AND the design of the cover is so lovely. The best thing about the notebook, though, is that the centre of each page is (discreetly) marked with a +, while the centre of each side is marked with a short line. I was a little suspicious of these markings at first, because I was worried that they would be too visible on the finished spreads, but they really disappear into the designs (even the simple ones, like I’ve done here) and I can’t even BEGIN to explain how HELPFUL they are. They really sped up the whole setup process for this journal and it was so luxurious not having to constantly measure/count as I went. I did notice, however, that one of the other Tiefossi journals (the purple version of the Gold Vintage Dot Grid Notebook) I purchased did not contain these markings, so maybe this is only a feature in certain notebooks?

The Brief

My personal, bullet journal style tends to include lots of decoration and lots of designated sections for organising all of my thoughts. My mum, on the other hand, prefers to be less restricted by small boxes and detailed tables. Her knitting journal is, first and foremost, meant to be practical, so I’ve kept the decoration to a minimum. In fact, the main decorative feature (using a different colour for each month) is also a practical choice, because it helps her to navigate through the journal super easily (though, of course, it also looks nice, so really it’s a win-win!).

The journal is split into monthly sections, with a few more general spreads at the beginning for overall planning/notes. Each monthly section contains a Project Overview, a Calendar (not strictly knitting-centric, but useful nonetheless!), a blank page and 3 pages of Project Notes (with each page split into 3 sections, for a possible total of 9 projects overall).

Equipment

I decided to use coloured pencils to create this setup to make the whole thing feel really fun and creative. For each month, I picked two similar shades of coloured pencils in rainbow order (so January was two shades of red, February was two shades of orange etc.).

The only places that I didn’t use coloured pencils were the Monthly Calendars. For these, I used my Sakura Pigma Micron 05, in the shade Black. This was just because the calendars are quite small and I wanted to make sure they were super clear and functional, so I needed finer, crisper lines (and numbers!). Everywhere else, I used coloured pencils for the decorations, lines and lettering.

Initial Pages: General Planning

To differentiate the initial, more general pages from the monthly sections, I used a select rainbow of coloured pencils (red, orange, yellow, green, blue, purple, pink) in all of the spreads.

Cover Page

The Cover Page is super simple, but it really sets the vibe for the rest of the setup: I’ve gone for a simple, block capital font with an uneven baseline (for fun! For whimsy!), along with some little heart and star doodles (again, for fun and for whimsy!).

Project Ideas

Next up, we have a Project Ideas spread, which I’ve split into three sections: Sweaters, Gifts & Other. If this were me, I’d have this spread split up into an extensive, comprehensive list of categories (you guys have seen my wish list spreads, right?!), but the more minimal, open vibe with fewer categories is what works best for my mum!

I’ve used these two-line wavy borders all throughout the setup (always using two different colours/shades for each border). Not only does this look pretty fun and add a little extra decoration, it’s actually pretty quick to set up, because you don’t have to get a ruler out!

Yarns to Try

The next spread is the Yarns to Try spread, where Mum can keep track of any yarns that she’s interested in and would like to try knitting something with at some point. I’ve split this spread up into 4 sections: Fingering weight, DK weight, Worsted weight and Other (i.e. the three yarn weights Mum uses most, plus a space for all the other weights, just in case!).

Stash-Busting

Like all knitters, Mum has an extensive stash of yarn leftover from previous projects (and purchased yarn that is yet to be knitted into new projects!), so reducing that is always one of her goals (because, obviously, that means she can buy more yarn!). I’ve left this Stash-Busting page really open, with just a border around the edge of the spread, so she can jot down any notes/ideas she has on the topic of stash-busting in whatever arrangement she feels like.

Present Ideas

Just like with the last page, I’ve left the Present Ideas spread super open, so Mum can use it in whatever way she would like. Here, she can keep her notes on knits she would like to make for specific people. This will be particularly useful around Christmas (always a busy knitting season!), but also throughout the year, as friends and family celebrate their birthdays.

Monthly Spreads

Into the Monthly Spreads now and I won’t show you every page because, aside from the colour/calendar changes, every monthly setup is identical! Instead, you can see the rainbow progression of colours in the image above and I’ll use January to show you the individual pages in each monthly section.

Project Overview + Monthly Calendar

The first double-page spread in each monthly section is the Project Overview + Monthly Calendar. The right-hand page features the monthly heading (so, here, that’s January) and a (pretty small, but as big as possible!) grid-format calendar. As I mentioned earlier, the calendar’s not a strictly knitting-centric addition, but it’s helpful nonetheless!

The left-hand page is split into three sections: Ongoing Projects, Projects to Start and Miscellaneous Notes. It’s nice to have some space to map out the (knitting) month ahead, so that’s what this is.

Project Notes

Each monthly section contains a further two double-page spreads, featuring a single, blank page at the start (for assorted notes, sketches, reminders etc.) and three pages for Project Notes.

Each Project Notes page is split into three sections horizontally. Each section corresponds to a different project. This is where Mum plans out individual projects: here, she’ll write out yarn ideas, needle sizes, which pattern size she plans to knit and any notes on her gauge. She fills these sections out ahead of time, so she always has a bank of projects all figured out, ready to knit immediately. This way, she’s never left with nothing on her needles!

Christmas Planning

In the December monthly section, right at the end of the journal, there’s an extra Christmas spread (because Christmas always requires a lot of planning!). For this spread, I used red and green as my two coloured pencil shades (because what’s more festive than that?). This festive spread is split into two sections: Christmas Presents and Christmas Cards.

Both sections are laid out in a rough table format: in both tables, the left-hand column is for the name of the recipient. Then, in the Christmas Presents table, the right-hand column is for the present Mum intends to give, while, in the Christmas Cards table, it’s for the address the card needs to be sent to.

Final Thoughts

As the years go by and I make more of these for my Mum, I’m definitely getting a better idea of how her mind works and how she likes to organise things (which is very different to how my mind works and how I like to organise things, I’ve discovered!).

My goal this year was to keep everything as minimal as possible, not in terms of decoration, but it terms of layout: while I prefer lots of specifically-labelled boxes to slot my thoughts into, Mum prefers a big, open space to write down all of her thoughts. I think I achieved that pretty well this time around!

I think the coloured pencil theme I went for brings a lot of fun and whimsy to an otherwise pretty minimal setup. I love using coloured pencils in my bullet journal because there’s no chance of them bleeding through the paper (though, they do, unfortunately, sometimes transfer a little to the opposite page…). Using coloured pencils also meant I had a huge range of shades at my disposal, which really helped me to add dimension to the spreads by using a two-tone colour palette each month.

It’s a bit of a labour of love to set up a whole year’s worth of a journal at once, but it makes me very happy to help Mum plan the hobby that brings her so much joy and peace, so it’s definitely worth it!

All in all, I’m really pleased with how this Knitting Journal turned out!

Gemma

xxx

Today’s post is a little different, but I wanted to give you all an update (also, full disclaimer: this post is nowhere near as serious as I’m making it sound! I feel like I’m writing a horrible announcement (I suppose, because it feels that way to me!), but in reality, it’s just a break from sharing my festive ideas: not the end of the world by any means!).

I’m going to be taking a break from my daily Blogmas posts for a little while. I’m so disappointed about this because I had SO many fun & exciting posts lined up to release in the second half of Advent, but the winter colds have really hit me hard this year (I’m currently on my sixth one of the season…) and, with my already less-than-ideal health, it just isn’t feasible for me health/energy-wise right now.

Please know this decision was really hard to make (I just LOVE sharing the magic of the festive season with all of you!) and, while it makes me a little… uncomfortable… to leave this year’s Blogmas At Home incomplete, I have to look after myself (or, at least, I’m learning to!), especially when my body/general health is already on the more feeble side. It’s also important to me that I save some energy for my own festive plans with my family: that is, after all, what Christmas is all about (though the cookies and the pigs in blankets are right up there for me, too!).

With all that being said, I do hope you’ve enjoyed the first 13 days of Blogmas At Home 2025: I’m so proud of all of the posts I’ve shared and I hope they’ve bought you bit of festive joy this year (because, let’s face it, we could all do with a bit of extra festive joy this year). If/when (hopefully, when) I start feeling better, I’ll try to share some of the posts that I had planned to share, even if it’s not a daily occurrence. Either way, I’ll spend some time getting myself better, spending lots of festive time with my family and dreaming up fun ideas for 2026!

I hope you have a magical rest of Advent and an even more magical Christmas,

Gemma

xxx

Every December, I try to come up with a new spin on a festive classic: the Yule Log. My first attempt was my Almond, Rosemary and White Chocolate Yule Log, which featured an almond sponge, filled with an amaretto cream filling, covered in a rosemary-infused white chocolate ganache and sprinkled with toasted almonds.

My second take was my Tirami-Yule Log, which was (you guessed it!) inspired by the flavours of a tiramisu. It was made up of a vanilla sponge, a coffee syrup (spiked with amaretto), mascarpone cream and grated dark chocolate.

This year, I took inspiration from our Christmas Day dessert from last year, which was the Spiced Clementine Cake from the Ginger Pig Christmas Cookbook. The cake is made with ground almonds and a small amount of cinnamon, allspice and cardamom are added to give it a little bit of festive flair. It’s topped with candied orange slices and served with crème fraîche.

Let me introduce you, then, to my Spiced Orange and Almond Yule Log!

Table of Contents

• Ingredients
• Making the Spiced Orange & Almond Sponge
• Making the Spiced Orange Syrup
• Making the Crème Fraîche Filling
• Assembling the Yule Log
• Decorating the Yule Log
• Recipe

Ingredients

To make this Spiced Orange and Almond Yule Log, you will need the following ingredients (it’s a bit of a long list, but stay with me!):

• Oranges

To make an orange cake, you need oranges! You’ll need orange zest for the cake and the crème fraîche filling, then you’ll need some freshly squeezed orange juice for the syrup. I recommend using unwaxed oranges for this recipe.

• Caster sugar

I’ve used golden caster sugar throughout this recipe, but you can use white sugar instead, if you prefer.

• Eggs

I always use large eggs for baking.

• Plain flour

Don’t be tempted to use self-raising flour here, or the cake will rise too much!

• Baking powder

A small amount of baking powder is added to the sponge to help it rise the perfect amount, so that it is light and fluffy, but still rollable.

• Ground cardamom

If you can find ready-ground cardamom, I recommend using that (just for ease). If you can’t find it (and it can be hard to source sometimes), you can use the whole pods: just grind the seeds in a mortar and pestle/spice grinder until you have a fine powder.

• Ground cinnamon

A classic festive spice, ground cinnamon is readily available in supermarkets.

• Ground allspice

The final of the three spices added to the cake batter, allspice adds a lovely, festive warmth.

• Ground almonds

Ground almonds add a sweet, nutty flavour to the cake, while also helping to make the sponge super flexible, so it’s easier to roll without getting cracks!

• Fine sea salt

As with most baked goods, a small amount of salt is added to the cake batter to enhance all of the other flavours.

• Almond extract

Just to amp up the almond flavour even more!

• Vanilla extract

You won’t taste the vanilla flavour (only a very small amount is added), but it helps to counteract any potential eggy-ness that can come with this type of foam-based cake.

• Cardamom pod

A whole cardamom pod is bashed and added to the orange syrup to infuse it with some extra festive spice. It’s best to use the whole spice here, rather than the ground stuff, because it keeps the syrup nice and clear.

• Cinnamon stick

Similarly to the cardamom pod, a small cinnamon stick is added to the orange syrup to add even more festive flavour, without affecting the appearance/texture of the syrup.

• Crème fraîche

Crème fraîche is a classic pairing with any orange and almond cake and it makes the perfect filling for this Yule Log: light and fresh, but still rich and delicious.

Making the Spiced Orange & Almond Sponge

The process for making this sponge is super similar to making the almond sponge from my Almond, Rosemary and White Chocolate Yule Log (just with some added orange and spice!).

The first step is to grease and line the tin. You’ll need a 23 x 33cm Swiss roll tin for this recipe. Use a small amount of sunflower (or other flavourless) oil to grease the tin, then line it with baking paper. Set this aside, then preheat the oven to 180°C (conventional oven, not fan-forced).

Now, it’s time to make the sponge batter. Place the sugar into the bowl of a stand mixer, then zest the orange directly over the top, so that all of the essential oils fall down into the bowl and you get more flavour from the fruit.

Use your fingers or the back of a spoon to rub the zest into the sugar. This helps to make sure it is evenly distributed and releases even more of the essential oils, so you’ll get even more flavour!

Add the eggs to the orange-ified sugar, then, using the whisk attachment, whisk on high speed until the mixture has become pale, fluffy and tripled in volume.

You want it to be at the ‘ribbon stage’, where you can lift the whisk and draw a figure of eight with the ribbon that falls off it.

While the egg mixture is whisking, prepare the dry ingredients. Sift the flour, baking powder, spices and salt together into a separate bowl.

Then whisk in the ground almonds. Set the dry ingredients aside for now.

Once the egg mixture is ready, add both extracts (almond and vanilla) and whisk briefly to incorporate them.

Remove the bowl from the stand mixer and sprinkle over the dry ingredients. Scattering the ingredients over the top, rather than dumping them all in in one spot, helps to distribute the weight a little more, so you are less likely to deflate all of the air you’ve just whipped into the eggs!

Using a balloon whisk or a large metal spoon, fold the dry ingredients into the egg mixture until no streaks of flour remain. I like to use a whisk for this, because I think it works better, but you can use either utensil. The aim is to retain as much air as possible at this stage.

Pour the sponge batter into the prepared tin and use an offset spatula to spread it out gently into an even layer.

Bake the cake in the middle of the preheated oven for 15-17 minutes, until it is risen, golden and just about firm to the touch.

While the cake is baking, spread a piece of baking paper onto a clean work surface. Make sure the baking paper is slightly larger than the size of your cake tin. Sprinkle 2 tbsp of caster sugar all over the baking paper (this will help prevent your sponge from sticking to the paper when you roll it up).

Once the cake has come out of the oven, leave it to cool in the tin for 1 minute, then flip it out onto the prepared, sugared baking paper.

Peel the baking paper layer off the bottom of the cake and discard it, then tightly roll up the sponge, along with the baking paper underneath, starting from one of the shorter ends. Doing this while the sponge is still warm means you’re less likely to get any cracks when you roll it back up later!

Set the cake roll aside to cool completely before filling it.

Making the Spiced Orange Syrup

To add even more flavour to the cake, we’ll be soaking it in a homemade, orange syrup.

To make the syrup, place the orange juice, caster sugar, one cardamom pod (give it a little bash with a rolling pin/the flat edge of a knife first, to help it release its flavour!) and one small cinnamon stick into a small saucepan.

Place the pan over a medium-low heat and swirl it gently every now and then, until the sugar dissolves. Leave the syrup over the heat to bubble away gently, until it has reduced by about 1/3 (about 3-5 minutes).

Remove the pan from the heat and strain the syrup through a heatproof sieve to remove the cardamom pod/cinnamon stick. Set the syrup aside while you make the filling.

Making the Crème Fraîche Filling

This filling is SO easy to make! All you need to do is place the crème fraîche into a bowl, along with the orange zest. Just like with the sponge, I like to zest the orange directly over the bowl so that all of the essential oils fall in and give the filling extra flavour.

Then, just stir everything together. That’s it!

Assembling the Yule Log

Once you have your rolled and cooled sponge, orange syrup and zesty crème fraîche ready to go, it’s time to assemble the Yule Log.

Carefully unroll your sponge cake, using the baking paper to help you if needed.

Use a pastry brush to brush the orange syrup all over the surface of the cake.

Then spread the crème fraîche filling right over the surface of the cake, directly on top of the syrup.

Now, it’s time to roll! The cake should want to roll back up, because it cooled in that position, so just go slowly and roll it back up around the filling, making sure the roll is quite tight, as this will give you the most defined swirl.

Once your cake is all rolled back up, breathe a sigh of relief! You’ve done the hard bit! Don’t worry too much if you get any cracks: it won’t affect the flavour in any way (and icing sugar can hide a multitude of sins!).

If you want to, use a dry pastry brush to gently brush off some of the excess caster sugar from the top and sides of the cake (though I don’t particularly mind the extra crunch!).

Transfer your cake to a serving plate, then it’s time to decorate it!

Decorating the Yule Log

I’ve kept the decoration really simple for this Yule Log: just a generous dusting of icing sugar all over and some homemade Candied Orange Peels placed on top, right down the centre.

I’ve just placed the orange peels on top, but do be aware that they are likely to fall off if you need to transport the cake anywhere! If you want to make the decoration more secure, you might want to make some extra crème fraîche filling and pipe it down the centre of the cake, then you can stick the orange peels to the icing so that they don’t move around.

However, you can decorate this cake in any way you would like! If you really want to impress, you might want to cut a small slice off each end of the cake, to reveal the beautiful swirl inside.

Alternatively, you could make extra crème fraîche filling and use it to ice the outside of the log as well as the inside to give the log a snowy effect.

Once decorated, serve your Yule Log immediately, or store it in the fridge for up to 2 days.

Recipe

Print

Spiced Orange and Almond Yule Log

A spiced orange and almond sponge, soaked with a spiced orange syrup, swirled with a zesty crème fraîche filling and topped with a dusting of icing sugar and some homemade candied orange peels.

Course Dessert, Snack

Keyword almond, Orange, Spiced, yule log

Prep Time 1 hour hour 45 minutes minutes

Cook Time 15 minutes minutes

Servings 8

Equipment

• 23 x 33cm Swiss roll tin

Ingredients

For the spiced orange and almond sponge:

• Sunflower oil, for greasing (or other, flavourless oil).
• 80 g caster sugar, plus 2 tbsp for sprinkling.
• 1 orange, zest only.
• 4 eggs
• 50 g plain flour
• 1 tsp baking powder
• 1/4 tsp ground cardamom
• 1/4 tsp ground cinnamon
• 1/4 tsp ground allspice
• 1 pinch fine sea salt
• 50 g ground almonds
• 1/2 tsp almond extract
• 1 splash vanilla extract

For the spiced orange syrup:

• 1 orange, juice only.
• 1/2 tbsp caster sugar
• 1 cardamom pod, bashed.
• 1 small cinnamon stick.

For the crème fraîche filling:

• 300 ml crème fraîche
• 1 orange, zest only.

To decorate:

• Icing sugar, for dusting.
• Candied orange peels, (see Note 1).

Instructions

Make the spiced orange and almond sponge:

• Grease the Swiss roll tin lightly with oil and line with baking paper. Preheat the oven to 180°C (conventional, not fan).
• Place the 80g of sugar and the orange zest into the bowl of a stand mixer. Rub the zest into the sugar using your fingers/the back of a spoon until evenly distributed.
• Add the eggs and whisk on high speed until pale, fluffy and tripled in volume (the 'ribbon stage').
• While the eggs are whisking, sift the flour, baking powder, spices and salt together into a separate bowl, then whisk in the ground almonds. Set aside.
• Once the egg mixture has tripled in volume, add the almond and vanilla extract and whisk again briefly to incorporate.
• Sprinkle the dry ingredients over the egg mixture, then use a balloon whisk or large metal spoon to fold them in, until no streaks of flour remain.
• Pour the sponge batter into the prepared tin and use an offset spatula to spread it out into an even layer. Bake in the preheated oven for 15-17 minutes, until risen, golden and just firm to the touch.
• While the cake is baking, cut a rectangle of baking paper slightly larger than the Swiss roll tin. Spread it out on a clean work surface, then sprinkle over the remaining 2 tbsp caster sugar.
• Allow the cake to cool in the tin for 1 minute, then flip it out onto the sugared baking paper. Peel the baking paper off the bottom of the cake, then carefully and tightly roll the warm cake up into a log. Leave the rolled cake at room temperature to cool completely.

Make the spiced orange syrup:

• Once the cake has cooled, make the orange syrup. Place all of the ingredients into a small saucepan and set over medium-low heat. Swirl gently as the sugar dissolves, then allow to bubble away until the syrup has reduced by about 1/3.
• Remove the syrup from the heat, then strain it through a heatproof sieve to remove the spices. Set aside while you make the filling.

Make the crème fraîche filling:

• Place the crème fraîche into a bowl, then add the orange zest. Stir until combined.

Assemble the Yule Log:

• Carefully unroll the cooled sponge. Use a pastry brush to brush the syrup all over the surface of the cake.
• Spread the crème fraîche filling over the cake, right on top of the syrup, then carefully roll the cake back up into the log shape. The tighter you are able to roll it, the more defined your swirl will be.
• Transfer the whole roll to a serving platter, then dust with icing sugar. Arrange the candied orange peels on top, right down the centre, then serve.
• The Yule Log is best eaten immediately, but can be stored in the fridge for up to 2 days.

Notes

1. You can find my recipe for Candied Orange Peels here.

When I was little, one of my most prized possessions was my Pick & Mix Sweet Shop. It had lollipop holders, trays for assorted sweets and even a little weighing scale in the centre: I loved it. Unfortunately, I never actually had enough sweets at any one time to fill my sweet shop, so it sat in my room, beloved, but rather depressingly low in stock.

Every Christmas, I make quite a few festive sweets and treats for my whole family to enjoy. It occurred to me recently, while preparing for the festive season, that I am a grown adult with free will, so I decided to pay tribute to my Pick & Mix Sweet Shop and make my own homemade, festive, sweet shop this year, filled with all of my family’s favourite treats (unfortunately, I cannot charge my family members for the sweets… it is Christmas after all… so take the term ‘shop’ with a pinch of salt!).

In today’s post, I’ll talk you through all of the equipment I used to set up this sweet shop and go through the 6 sweets that I made one-by-one, in case you too have an inner child with a sweet shop fixation that needs to be HEARD.

Let’s get into it, shall we?

Table of Contents

• What You Need
• The Sweets
  • Rocky Road Bark
  • Peppermint Bark
  • Cherry & Almond Chocolate Puddles
  • Toffee Popcorn
  • Pistachio Nougat
  • Christmas Market-Style Nuts
• Setting Up the Sweet Shop
• Final Thoughts

What You Need

There are only two things that are absolutely essential for making your own sweet shop: sweets (obviously!) and containers to keep the sweets in. However, if you want to go the extra mile, you can also use some fun, festive decorations and make a whole display out of it!

Most of the things I bought for this sweet shop were from Sostrene Grene, one of my favourite places to shop during the festive season. I’ve linked everything down below, but their stock does change up pretty frequently, so the specific items may not be available anymore. Hopefully, though, the links will give you an idea of what each product looks like, so you can find similar versions!

For my sweet shop, I used the following things:

• Sweets

I used homemade sweets for my shop, but you could also absolutely buy your favourite treats and decant them into pretty jars to make it easier (but just as fun and special!).

• Jars

You’ll need one jar/container per sweet. I tried to source a variety of different shapes and sizes: I already had the two square jars and I bought the others from Sostrene Grene (links below).

Large jar with wooden lid.

Small jar with wooden lid.

Large round jar.

Small round jar.

• Tongs

This was a.. slightly frivolous purchase and by no means necessary, but, when I was buying the jars from Sostrene Grene, I saw these gold tongs and I thought they’d be so cute (and useful!) for getting the treats out of the jars. They actually work really well for the job, so I think it paid off!

• Faux pine garland

This is a festive sweet shop after all, so I nestled the jars in amongst this faux pine garland.

• Christmas lights

You guessed it, these gold star fairy lights are also from Sostrene Grene! They’re wired, so I was able to coax them into the shape I wanted, weaving them around the jars with the garland.

• Knitted sweets

If you’ve been following along with Blogmas At Home this year, you might have seen that I made these knitted sweets earlier on this month and I thought they’d make perfect decorations for this sweet shop! I just dotted them around the place, nestling them within the pine garland.

• Gingerbread Christmas tree

I haven’t shared my gingerbread undertaking for this year yet (don’t worry, it’s coming soon!), so I guess this is a bit of a sneak peak, but I feel like this sprinkle-coated, gingerbread tree fits the whole fun, sweet shop-vibe perfectly, so of course it had to feature!

The Sweets

I made 6 different treats for my sweet shop: Rocky Road Bark, Peppermint Bark, Cherry & Almond Chocolate Puddles, Toffee Popcorn, Pistachio Nougat and Christmas Market-Style Nuts. Because all of these sweets have pretty long shelf lives, I was able to spread the candy-making process out over a week, so I didn’t get too tired out (or overwhelmed by sugar!).

All of the recipes for these treats are available here on the blog. I’ll link to each one below, so you can make them yourself, if you fancy!

Rocky Road Bark

This Rocky Road Bark was a new entry to our festive treat list last Christmas and is a favourite of my sister-in-law!

It’s made with a 50/50 blend of milk and dark chocolate, mixed with crumbled digestive biscuits and topped with a scattering of mini marshmallows and raisins.

Find my recipe for Rocky Road Bark here.

Peppermint Bark

Peppermint Bark is the OG Christmas sweet in our household: my mum received a homemade version as a gift from her friend many Christmases ago and we loved it so much that I had to recreate it immediately! We’ve been making it ever since. In fact, it’s actually the first recipe I ever shared here on the blog!

The bark is made up of a thin layer of milk chocolate topped with a thin layer of white chocolate, which is then sprinkled with crushed up candy canes.

Find my recipe for Peppermint Bark here.

Cherry & Almond Chocolate Puddles

A new addition to the festive spread this year: these Cherry & Almond Chocolate Puddles are the final, chocolate-y offering in my sweet shop and a special request from my brother.

The puddles come in two varieties: dark chocolate puddles, topped with a whole almond and whole dried cherry, and milk chocolate puddles, topped with flaked almonds and chopped dried cherries.

Find my recipe for Cherry & Almond Chocolate Puddles here.

Toffee Popcorn

Toffee Popcorn isn’t an inherently festive treat, but it’s so addictive that I like to reserve it for special occasions (like Christmas)! My dad is a huge toffee popcorn fan, so this one’s for him.

This year, I decided to pull out all of the stops and make my toffee popcorn with a special variety of popcorn kernel known as ‘mushroom popcorn’ (I bought the Joe & Seph’s kernels). Contrary to what the name might imply, this popcorn does not taste at all of mushrooms (thank goodness, because I’m not a fan!), it’s the shape of the popped corn that gives it its name, because the kernels pop up into big, fluffy balls (kind of like the cap of a mushroom)! It’s the type of popcorn typically used by cinemas, so it has a really nostalgic, special vibe that I thought would really add to the festive magic this year!

Find my recipe for Toffee Popcorn here.

Pistachio Nougat

Making nougat is a slightly more involved process than the other sweet treats on this list so, just like the toffee popcorn, I only make it for really special occasions. This Pistachio Nougat is a particular favourite of my mum’s!

Made with egg whites, honey and roasted pistachios, this nougat is a really fun and impressive treat to make this Christmas.

Find my recipe for Pistachio Nougat here.

Christmas Market-Style Nuts

It wouldn’t be December without my Christmas Market-Style Nuts: these are always my absolute favourite treat when I visit any Christmas Market, so learning how to make them at home was a game-changer.

This year, I’ve used a combination of pecans (my all-time favourite), hazelnuts and macadamia nuts. They’re coated in a salty, sugary, cinnamon mixture, then baked until deliciously crunchy.

Find my recipe for Christmas Market-Style Nuts here.

Setting Up the Sweet Shop

Once you have all of your sweets, jars and assorted decorations, you’re ready to set up your sweet shop! Obviously, you can do this however you want and make it as simple or as over-the-top as you want, but, if you’d prefer to relinquish the mental effort and just follow some instructions, here’s what I’d do…

Choose a space that’s both easily accessible (to humans, not to pets!) and out of the way of the typical Christmas hustle and bustle (you don’t want to be knocking over jars as you’re trying to roast a turkey!). A side table or countertop would work perfectly.

Fill each jar with a different sweet/treat. If you have too many sweets for your jars, you can always mix similar sweets together (I’ve done this here: I put the milk and dark chocolate puddles in the same jar!).

Set the jars out first. This allows you to get their positioning right without having to deal with all of the extra decorations. Place the larger jars at the back and the smaller jars towards the front, so that you can see them all from the front. If everything feels a little too on one level, consider placing some of the jars on upturned ramekins (or other assorted knick-knacks), to add a little more height and dimension!

Once you’re happy with the placement of the jars, it’s time to decorate! Here, I’ve used a pine garland, a string of wired fairy lights, some knitted sweets and a gingerbread Christmas tree, but you can obviously use anything you have/think would look good.

I’d recommend starting with the biggest (bushiest?) decoration first (here, that’s my pine garland), as this will give you a base to work with. I wrapped my garland around all of the jars, adjusting (and readjusting) it until I was happy with how it looked.

Next, I added the fairy lights. Adding some lighting helps to make the setup extra festive and cosy-looking. I’ve used these battery-operated gold star lights, which was great because it meant I didn’t have to worry about plugging anything in.

Finally, I added the smaller, individual decorations in amongst the garlands and jars. I placed the gingerbread tree to one side of the setup, then dotted the knitted sweets around the place, nestling them amongst the branches of the pine garland.

And then, you’re done! Turn the fairy lights on, grab some little bowls or paper bags and get the whole family to visit your festive sweet shop before settling down to watch a Christmas film.

Final Thoughts

I think this is such a special, over-the-top (in the best way), thing to do for your family/friends (and yourself!) this festive season. I’m all about making Christmas feel super magical and if putting my homemade treats into some fancy jars and spending a bit of time arranging them does that, then I’m all for it!

Having said that, this is obviously a very extra approach to the festive season and I am aware that not everybody has the time, energy or mental headspace to take on a project like this, particularly at this time of year! You can always take bits and pieces of this idea: make just one of my homemade sweet recipes, find a single, fancy jar in a charity shop and fill it with Quality Street or store-bought nuts, or even just bring some greenery in from the garden and weave a string of fairy lights through it to decorate your home. Christmas is always a bit stressful, but there’s no reason to make it more stressful: I go to such extremes because it brings me joy, not because it’s in any way necessary.

I hope you’ve enjoyed this post: it’s a bit of a special one (it had to be, for the halfway point of Blogmas At Home 2025!), so I’m excited to see what you think. I really embraced my inner child (and my inherent lack of restraint) to make something that I think is really fun and I’m super proud of it!

Gemma

xxx

And welcome to the latest, festive instalment of my Baking Around the World series, where I (attempt to) bake delicious, sweet treats from around the globe, in an effort to broaden my foodie horizons!

This time, we’re heading back to Sweden! I’ve already made one bake from Sweden (jordgubbstårta, a light and airy cake filled with pastry cream and strawberries), but I love making festive cookies from around the world this time of year, so I decided to try out these schackrutor (‘chess squares’) too.

A quick Baking Around the World disclaimer before we get into the recipe:

While I have done/will do extensive research for each of the recipes in this series, the recipes are unlikely to be 100% authentic because of differences in ingredient availability, variations within families/regions and multiple other reasons. I'm so sorry if I absolutely butcher your favourite childhood treat (and please let me know in the comments if I have made any unforgiveable errors), but please do give me the benefit of the doubt here- I am just a baker with a serious sweet tooth, trying to broaden her baking (and cultural) horizons through tasty snacks :)

Table of Contents

• Schackrutor: Explained
• Ingredients
• Making the Dough
• Shaping the Dough
• Slicing and Baking the Cookies
• Storage Instructions
• Final Thoughts
• Recipe
• Sources Used

Schackrutor: Explained

Schackrutor are bitesize, shortbread-style biscuits that are made with two flavours of dough (vanilla and chocolate), which are pieced together to create a (typically) 2×2 checkerboard (hence the name, which means ‘chess squares’). Checkerboard cookies are popular all over the world, but it seems that schackrutor were where it all began!

These cookies aren’t restricted to being a ‘Christmas cookie’, but I think they make such a lovely festive treat, especially if you have any friends/family members who aren’t a fan of the more traditional Christmas flavours (think nuts, oranges and dried fruits!).

Schackrutor are often served in Sweden for fika (a social coffee break steeped in rich tradition), sometimes are part of the ‘sju sorters kakor’ (‘seven types of cookie’) custom. Apparently, seven is considered the ideal number for cookies at a gathering, because any less would be ‘stingy’ and any more would be ‘over the top’! To save time, one dough is often used to make multiple different types of biscuits, sometimes called ‘1-2-3 Cookies’, (because of the proportions of the ingredients in the dough: 1 : 2 : 3 of sugar : butter : flour!) and this is the dough we’ll be making today.

Ingredients

You only need 5 ingredients to make schackrutor. The basic dough itself only requires 3 ingredients, while the 2 remaining ingredients provide the chocolate and vanilla flavour.

• Caster sugar

I used golden caster sugar, but white caster sugar will also work.

• Salted butter

I discovered in my research for the jordgubbstårta that the majority of the butter available in Swedish supermarket tends to be salted, so I’ve used salted butter here in an attempt to be more authentic! It’s great, because then you don’t have to worry about adding any salt yourself! If you only have unsalted butter, I’d recommend adding a generous pinch of fine sea salt to your flour at the beginning of the recipe. Your butter needs to be at room temperature (or slightly softened, if your house is chilly!).

• Plain flour

It’s important to use plain flour (not self-raising) for this recipe, because you don’t want the biscuits to rise— you want them to be short and crumbly!

• Vanilla bean paste

In Sweden, vanilla flavour is usually imparted via the addition of a store-bought product called vaniljsocker (‘vanilla sugar’). This ingredient is not readily available here in the UK, so I’ve used vanilla bean paste instead. I like using the paste because it imparts a lovely vanilla flavour without adding too much liquid to the dough (and you can see all the tiny vanilla bean specks in the cookies!).

• Cocoa powder

A small amount of cocoa powder is added to half of the dough to give it a chocolate-y flavour and a deep brown colour, which contrasts nicely with the vanilla dough and helps the checkerboard design to really stand out.

Making the Dough

Schackrutor dough is really easy to make: I do it in the food processor (because the cookies are so tiny, you only need a small amount of dough, so I do it in my mini food processor. You could easily scale the recipe up and make loads of biscuits, though!).

Place the caster sugar, softened butter, plain flour and vanilla bean paste into the food processor.

Pulse everything together until it comes together into a dough… and that’s the dough made!

Tip the dough out onto a clean work surface.

Then give it a little knead to bring it together into a smooth ball.

At this point, you need to weigh the dough, so that you can split it in half evenly. You can eyeball this, but you’ll get the neatest, most even cookies if you weight it! Weigh the whole ball of dough, then divide that number by 2 and split the dough into two equal balls, each weighing that final amount.

Now you need to add the cocoa powder to one of the dough balls. I like to knead it in by hand, until no streaks of vanilla dough remain, so that I can make sure it’s really well incorporated! It’s a little messy, but all the best things are.

Once you have two balls of dough: one chocolate and one vanilla, you’re ready to shape the dough into the classic checkerboard design!

Shaping the Dough

Now it’s time to make the schackrutor log (though it’s really more of a cuboid, which is what gives these biscuits their classic, square shape when sliced!).

The log is made up of four smaller logs (also cuboids): two vanilla and two chocolate, which are pressed together to form the checkerboard design.

Take one of your dough halves (I’m working with the chocolate dough first here) and divide it in half again, so you have two equal balls of dough (it helps to weigh and divide the dough by 2 here, just like last time, to ensure they’re perfectly even!).

Take one of the dough balls and form it into a thin, rectangular log. The aim is for the cross section of the log to be a 1 x 1 cm square (mine ended up about 17cm long). I used my hands to press the dough into a rough log, then tapped all of the sides with a bench scraper, turning the log as I went, to get those square edges.

Repeat this process for the second dough ball, making a square log as similar to the first as you can! Things might be getting a little sticky at this point, but it’s important that you don’t add any extra flour/cocoa powder, because the logs need to be tacky enough to stick to each other later on. If things get unbearably sticky, I’d recommend just washing down your work surface and utensils before getting going again (almost like a stickiness reset!).

Once you have your two chocolate logs, repeat the whole process for the vanilla dough. I’d recommend wiping down your work surface before you do this, to make sure you don’t get any streaks of cocoa in your vanilla dough. Because of the added cocoa powder in the chocolate dough, you might find that the vanilla dough is slightly softer/stickier, but don’t worry— it’ll bake up perfectly!

Once you have all four of the logs ready to go, you can form the checkerboard design.

Place one vanilla log alongside one chocolate log and press them together, being careful not to distort the shapes too much.

Then, add the second vanilla log on top of the chocolate log and the second chocolate log on top of the bottom vanilla log, pressed against each other along the middle so that you have a 2×2 design, with the logs of each colour in opposite quadrants. Gently press all of the logs together so that there are no gaps between them.

Wrap the log tightly in clingfilm, then use the bench scraper again to press gently on each of the sides a few times to really square them off.

Transfer the log to the fridge and allow it to chill for at least 2 hours before slicing. This ensures that they are firm enough to slice without disturbing the checkerboard pattern (and means that the cookies won’t spread too much during baking!).

Slicing and Baking the Cookies

Once the cookie logs have chilled, it’s time to slice & bake them!

Start by preheating the oven to 180°C (conventional oven, not fan) and lining a baking tray with greaseproof paper.

Remove the schackrutor log from the fridge and use a small, sharp knife to cut it into slices, about 5-7mm thick (don’t worry too much about getting them perfect, just try your best so that they bake pretty evenly!).

Space the cookies out onto the prepared baking trays (they won’t spread too much, but it’s best to leave a little space between them, just in case!).

Then, it’s time to bake the schackrutor! They’ll need about 6-8 minutes in the preheated oven, just until the edges are starting to turn golden.

Once baked, leave them to cool for 5 or so minutes on their trays, then carefully transfer them to a wire rack to cool completely.

Storage Instructions

The schackrutor need to be stored in an airtight container at room temperature. They’ll keep for about 3 days before they start going a bit soft (still tasty, just not quite as crisp!).

Final Thoughts

I LOVE these little checkerboard cookies! They dough itself is very similar to the one I use for my 5-Ingredient Iced Star Biscuits, but it really shows how versatile it is, because the two cookies have such different vibes.

Also… these cookies are SO much smaller than I expected them to be! As in, they really are bitesize. You could definitely make them bigger if you wanted to (by making taller/wider logs, or even stacking more logs together, which I’m very interested in having a go at), but I do kind of love how tiny they are, it makes them feel so cute and dainty.

These are a simple cookie, elevated to something surprisingly impressive by just a little cocoa powder and a bit of shaping, which I think is pretty magical! I also like that you can form the log, get everything ready, then slice and bake the cookies when you want to serve them, so your family/friends can enjoy some delicious, fresh biscuits.

Recipe

Print

Swedish Schackrutor

Bitesize vanilla and chocolate shortbread cookies with a checkerboard design.

Course Dessert, Snack

Cuisine Swedish

Keyword 5 ingredient, Biscuit, Chocolate, Vanilla

Prep Time 40 minutes minutes

Cook Time 8 minutes minutes

Chill Time 2 hours hours

Total Time 2 hours hours 35 minutes minutes

Servings 25 cookies

Equipment

• Baking tray lined with greaseproof paper.
• Bench scraper/clean metal ruler, for squaring off the biscuit dough.

Ingredients

• 25 g caster sugar
• 50 g salted butter, softened.
• 75 g plain flour
• 1/4 tsp vanilla bean paste
• 1/2 tbsp cocoa powder

Instructions

• Place the sugar, butter, flour and vanilla bean paste into a food processor. Pulse until a dough forms.
• Weigh the dough and divide it in half evenly.
• Knead the cocoa powder into one half of the cookie dough until no streaks of vanilla dough remains.
• Divide the vanilla dough into two equal balls. Form each ball into a square log (use a bench scraper/clean metal ruler to really square off the edges), about 1 x 1 x 17cm. Set aside, then repeat with the chocolate dough, so that you have four logs. Do not add any extra flour/cocoa powder at this stage— you need the dough to be slightly sticky.
• Press one vanilla log against one chocolate log. Place the second vanilla log on top of the first chocolate log, then the second chocolate log in the remaining space, on top of the first vanilla log. Press the logs together gently so they stick.
• Wrap the log tightly in cling film and use a bench scraper to press up against the sides and make it super square. Place the log into the fridge to chill for 2 hours before slicing and baking.
• Preheat the oven to 180°C (conventional, not fan).
• Cut the log into approx. 5-7mm slices. Space the cookies on lined baking trays and bake in the preheated oven for 6-8 minutes, until just starting to turn golden around the edges.
• Allow the cookies to cool for 5 minutes on the trays, then transfer to a wire rack to cool completely before enjoying. The cookies can be kept in an airtight container at room temperature for about 3 days before they start going soft.

Sources Used

Books:

Crumbs: Cookies and Sweets from Around the World, Ben Mims.

ScandiKitchen: Fika and Hygge, Bronte Aurell.

Websites:

Daily In-A Kitchen: 3×3 Checkerboard Cookies

Totally Swedish: Brysselkex and Schackrutor

True North Kitchen: Swedish Checkerboard Cookies

Swedish Spoon: Schackrutor—Swedish checkerboard cookies

Visit Sweden: Chessboard Cookies (‘Schackrutor’) – Recipe